For Barry Lopez the wolverine enlivens the force
of natural wilderness as the bear does for Momaday. We know we are less human
by the loss of the wilderness contrast. One
of four
mammals will become extinct.
Forests of the north, coyote and elk in storm, dead fall fires in yarrow
meadows, armed men, dogs, tent, truck, prevent the hunger of the bear. But this
is small stuff to the scapegoated puritan fear of the spirit. It has a
name in Leviticus that Barry Lopez does not mention because the names of the
gods depend on who uses them. Once above the outbuildings of a flour mill near
ASU was the proud declaration "Ashtaroth" written high
above. This was not a misspelling of Ashcroft. The ambiguity of the
world of spirits to a people who have no gods is that power and money mix up an
argument about consequence and cause and make a literature out of it. They
are all gone out of the way, there is none that does good. There is
a dominant group of new pietists, newscasters and reporters who proclaim this
morality of disconnect from the comfort of their desks. They have the
compassion of a war reporter living off amputees while pretending to be a
conscience, an English puritan living off smallpox, el exterminador and amonetizer of home mortgages living off
public consumption. When these fail they express the greatest compassion for
the failed, but it is for themselves. Surely no one expects to end this
discussion with a conclusion.
This rehumanization of all that was separated out back into the man becomes beatific. The tygers and lions "sing they seize the instruments of harmony" (FZ 124.17). As the animals shed their skins of the human projection, "they enter upon a new life; as all forms of life rejoin Albion they reject the Selfhood which has separated man from man and man from nature" (Baine, 8).
Animal Spirits
Poets wrote of the
coming biological extinction, prophetic celebrations of the natural before the
industrial revolution. We find ourselves determining extinction’s cause.
Beasts first go extinct. The pain of the bestiaries is they compare the
animal to the human to the detriment of both. Humans adopt some negative animal
trait. Yale professor Robert Shiller says Animal Spirits are a
forecasting tool, that the business world has discovered irrationality as a
means to wealth. But he did not learn that animal spirits involve the
reality of hunger and laying low, to love the sun and love
night. When Bunyan says
"poor silly Mole, that thou shouldst love to be, / Where thou, nor Sun,
nor Moon, nor Stars can see," Bunyan can't see.
Physiologus heaps all occult myth and fancy on animals.
Science heaps our health hazards.The asps founded fast food. Prester is the asp
that anybody who gets “struck by this animal swells to a prodigious size
and is destroyed by corpulence” (T. H.White. The Book of Beasts. 175). Media heaps on our loss of identity and
confusion of soul. The sirens founded media, television
(Conversation IV), “entice poor chaps by a wonderful sweetness of rhythm, and
put them to sleep…pounce upon them and tear them to bits” (White, 134). In this
Coercion of the Senses Odysseus is tied to the mast, tie
open the eyes gates to violence as in Clockwork Orange. If they will not
see they will not sleep.
If Mr. Blake were the first to celebrate the toll of
industrialization in his chimney sweep, and if he were the prophet of the week,
we’d resort to him to explain the man's fear of animals, fear of the tree, fear
of the woman which sums the fear of himself. Blake's portrayal of animals
is like the bestiaries, a picture of the negative states as an gnostic
creation, a heresy compared with Psalms and Job. Don't be like the tiger. Do be
like the ant (Proverbs). Each species becomes a morality play, not a thing
in itself of wonder, which attitude translates to science. What use is the
thing, what experiments can be run, will it make a good paper, improve human
lot? This morality play will be running when polar ice extincts. Thus in the
cliched pattern of English folklore songbirds are good, hawks are bad.
In this divided state every threat perceived in the
outer world from animals, which includes all nature, is a human fear caused by
division and mirrored back. That is, the savagery of the tiger, or cruelty in
any exterior form is a human internal state, a spiritual despondency. In Mysterium
Magnum Boehme calls the primal "Image" corrupted, which became
"a Beast of all Beasts" manifesting outwardly the inward negative
properties of the man. Thus medieval bestiaries were moralities of man, you
name them: "Fox, Wolf, Ear, Lion, Dog, Bull, Cat." Go around the
zodiac and to every cave art to see the divided image projected upon the
animal. It's not the outward form the man assumes, but the inward projected by
him upon the beast. A supposed ravening, or sloth in the seven deadly sins at
least is that "the Man must bear such a Beast in the Body."
This is the motive of reabsorbing these projected fears.
Reabsorb
A theory of correspondence says the inside is the out:
"for as the Essence is in the Body, so the Spirit figures and forms itself
internally” (Boehme), but if the beasts are a picture of the human
their removal does not redeem him. He is redeemed by the reabsorption of
projected fears. Imagine a winch of the spirit where first lust and greed, then
fear and hate are pulled back! That all external nature reflects the in cast
out, bestiaries unmasked.
It sounds like fantasy to hold that all forms of life
were originally part of the human, then projected out, like Plato says the woman
was taken from the man. In Jerusalem,
Blake says "You have a tradition, that Man anciently contained in his
mighty limbs all things in Heaven & Earth" (To the Jews). In the Four Zoas he says:
"So Man looks out in tree & herb & fish & bird & beast
Collecting up the scattered portions of his immortal body"
... where ever a grass grows
Or a leaf buds The Eternal Man is seen is heard is felt
And all his Sorrows till he reassumes his ancient bliss"(Four Zoas, 110)
"As man falls from vision, he objectifies into separate existence more and more aspects of himself. He stands in awe and horror, wondering where a beast like the tiger comes from, for he does not see in it a portion of his own fallen, divided self" (The Scattered Portions, Baine, 7).
"So Man looks out in tree & herb & fish & bird & beast
Collecting up the scattered portions of his immortal body"
... where ever a grass grows
Or a leaf buds The Eternal Man is seen is heard is felt
And all his Sorrows till he reassumes his ancient bliss"(Four Zoas, 110)
"As man falls from vision, he objectifies into separate existence more and more aspects of himself. He stands in awe and horror, wondering where a beast like the tiger comes from, for he does not see in it a portion of his own fallen, divided self" (The Scattered Portions, Baine, 7).
This rehumanization of all that was separated out back into the man becomes beatific. The tygers and lions "sing they seize the instruments of harmony" (FZ 124.17). As the animals shed their skins of the human projection, "they enter upon a new life; as all forms of life rejoin Albion they reject the Selfhood which has separated man from man and man from nature" (Baine, 8).
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