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Bedouin |
Stylized indian horses, Beatien Yazz, Iberian and Andalusian bloodlines. The Iberian is the source of the Spanish Barb. Spain's long occupation of northern Africa resulted in the agile desert-bred African Barb horse being crossed with these existing stocks--conformation is often short-backed and deep bodied. They appear narrower in the chest so that the fore legs join the chest in an A-shape.
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Immigrants |
I saw the Immigrants and Philistine Captives At Medinet as Bruegel, Goya behind ongoing compositions. It is a kind of exhaustion but work anyway when last nite I lay out a field of red and brown with porcelain lights and cut strips of thick porcelain, throwing them down so they came out a kind of fleur de lis that I slashed with a yardstick and assaulted with a rolling pin, which made it worse till
I cut sections of it away with a knife and got this below. Most often I work on these a couple days. This one I have to leave as is after the fight. It is not my brain but my eyes that tell me what is right, so this one which could be viewed in any direction demands to be upside down.


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Captives |


I accept them after i have forgiven them for what they are because there were previous stages in the making, as the past in an individual life, the amorphous forethought, the making of the clay, its lamination, the molding into form on the wheel, the separate parts waiting assembly, the stretching of the clay, the assembly and its bracing, the bending, molding, breaking, the covering and hoping it won't fall, the finishing of the head, adjustments, the signing, the flattening the base so it will stand: all this precedes the bisquing and glazing when whites blend and intensities fade. Then the final firing and it cannot look like what it did before. Then I may accept them after I have forgiven them for what they are.
Two Birds

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