Notes toward a raisonné

 

 Ivan Belyaev. “I think the search for a style of work is, in fact, a set of expressive techniques for a lot of people. And for me too... you must have noticed that I work angobami (paint based on clay with an addition of pigment, engobe, which after of is also is) some time ago I chose this material and I realize I wasn't wrong. Then to me was an example of lee kang hyo's work, my favorite artist, master of South Korea (make sure to find) and later I realized that the roots of my drive to the invoice, which allows the work of angobami much older... but learn more about it I'll tell you later. Well, the recovery from (in the bezkislorodnoj environment is the restoration of iron, which is contained in clay and glazurâh), which I have answered already on a huge number of questions, but they do not end.. If there is more. In the photo, the subject is executed using both techniques:

 

 

Lamination arches from form, bowed in the firing, so daylight appears between its cracks, caverns and splits in the firing, The eye tries to understand what it sees when folds and curves make shadow. It constantly plays over it to create familiarity. It is as if he eye recasts the image, which seems to be moving, to understand it. This establishes the statement, it depends on your point of view. Such composition has a range of meaning and association, from more simple but improbable Flowers from Rock to curvilinear figures not quite named, like a woman a flower or abstract. 

The eye tries to make these deconstructions of a vessel look like something it recognizes, stressed and broken attempts to fall and stand at the same time, pots as people go against all odds and heroically oppose, or bow the head, the knee, and excite sympathy. Many of these did fall, implode, collapse in the stretching intended to enhance their lines. 

Why were they pushed to such extremes? Some can't raise their hands because they don't have arms or just stumps for arms in these days. Those who raise hands may not all get them all the way up from the weight or

maybe they are prevented. There are all kinds of postures in hands raised, just like there are all kinds of reasons for raising them. Surrender is implied, and praise. Also sacrifice. Those without hands are the most poignant if we imagine we can see the heads and the bodies, as if the arms and hands were wrapped as if they were armed and militarized security forces get them ambiguous, concealing something under their cloaks. Beating hearts. Some of these may be considered Protest Jars silently witnessing. These ideas, called minimalist and abstract expressionist, arise in conversation like Legends of the Unconscious, not yet written exactly, with many sources of vacancy and presence, vacancy of the design and designer, presence of the flows of the natural. But making and repeating patterns to identify work as recognizable of a certain style is a betrayal of vacancy. Making by erosion, breakage, eruption, gravity, is vacancy. The world is before us, but the pot remains after. Ask what he will do tomorrow if he had success today. The answer is there is no time and what is done is done before, during and after.

To get these kings you have to get the attitude. Here Faisal is undergoing his beauty treatment in pride and power. It is noteworthy the British have so warmed their royals. The word king hardly appears. It's all babies and beauties. Stability you know, masks. Other potentates suffer their pride of manhood. There's nothing behind a Saudi prince. Abdulla, Farouk, Faisal, Farouk lands the fat cats in trouble. Outlaws in bandanas with the top down pull up next him at stoplights, taunt: King Farouk! King Farouk!

zarg